M 3:00 - 4:50 pm (Seminar) W 3:00 - 4:20 (Digital lab)
HUM 325-6-21 Ancient Rome in Chicago
Ancient Rome is visible in Chicago—walk the city and learn to “read” the streets, buildings, and monuments that showcase Chicago’s engagement with the classical past! You’ll gain digital mapping and video editing skills as you collaborate on a virtual walking tour mapping Chicago’s ongoing dialogue with antiquity. With a combination of experiential learning and rigorous research methodologies, you’ll explore architecture, history, visual arts, and urban topography in this quintessential modern American city.
How do developments in the life sciences affect our understandings of who we are, how we differ, and how social inequalities are created, perpetuated, and challenged? This seminar explores how scientific claims and technological developments help transform cultural meanings of race, gender, and sexuality. Conversely, we will consider how cultural beliefs about race, gender, and sexuality influence scientific knowledge and medical practice. By studying controversies, we will explore the dynamic interplay between expert findings, social identities, and political arguments.
HUM 370-6-20 Art and the Place of Nature in Modernity
How did we get into this mess? The idea that human beings are separate from something called “nature” which they can and should dominate and control is one of the most pervasive ideas in modern Western culture—meaning European and North American culture since the end of the Middle Ages. Over hundreds of years, alongside and intertwining with the development of capitalism and colonialism (for the “indigenous” was often placed on the side of nature), Western culture produced artificial divisions between human and non-human nature. Artists and scientists alike aspired to equal nature’s powers and eventually exploit and “conquer” it—or “her,” since “Nature” has often been gendered female—with the tools of technology. How did this come about? How did nature push back? This course attempts an alternative, ecological history of Western art from the perspective of how art has depicted, defined, constructed, and reckoned with nature. What is nature and the natural? How do nature and art mutually define one another? What does it mean when art rejects nature? Without attempting to be comprehensive, the course will work through carefully selected case studies—some of them student-generated—in landscape, still life, and figure painting; scientific illustration; garden and landscape design; and photography. We will read accessible scholarship and primary texts in art theory and natural science. We will try (and undoubtedly not fully succeed) to come to terms with how this history is reflected in contemporary ecological and epidemiological crises. The course does not require prior knowledge but does hope for your attentive engagement and intellectual curiosity.
HUM 397 Exhibiting Antiquity: The Culture and Politics of Display
How do institutions such as museums—and websites and archaeological sites developed as tourist destinations—shape and construct our notions of the past? How are these institutions enmeshed with broader cultural and political agendas regarding cultural identity and otherness, the formation of artistic canons, and even the concept of ancient art? This course explores modern strategies of collecting, classification, and display of material culture from ancient Egypt, the Middle East, Greece, and Rome, both in Europe and the U.S. and in their present-day homelands. By analyzing programs of collecting and display, it seeks to understand both the development of modern scholarship in ancient art and the intersection of institutional and scholarly programs. Topics will include the historical development of modern displays devoted to ancient civilizations in museums, notions of authenticity and identity, issues of cultural heritage and patrimony, temporary and “blockbuster” shows, virtual exhibitions and museums, and the archaeological site as a locus of display.
